↓
 

Pink Floyd – A Fleeting Glimpse

By The Fans - For The Fans - Est. June 1998

  • Home
  • Old News
  • Forum
  • Community
  • Tour Rooms
  • Tour Books
  • Collectors Hub
  • Memories
  • Interviews
  • Discography
  • Library
  • Fun & Fantasy
  • Other Exhibits
Home→Categories News - Page 101 << 1 2 … 99 100 101 102 103 … 132 133 >>

Category Archives: News

Post navigation

← Older posts
Newer posts →

David Gilmour : Talks With BBC Radio 4’s Soul Music Series on The Wish You Were Here Album

Pink Floyd - A Fleeting Glimpse Posted on 10/12/2018 by Col T14/01/2019

On December 26th The BBC’s Radio 4 continue their Soul Music series With a show to be aired at 9am UK time (and repeated at 9:30pm the same day) taking a detailed look at Shine On You Crazy Diamond.

The series is an analysis of pieces of music that have a powerful emotional impact, and in this edition, David Gilmour recalls the day that Syd Barrett unexpectedly appeared at Abbey Road Studios when the Floyd were recording Wish You Were Here, and talks about the song which bookends the album.

Other contributors will also discuss what makes the song so special for them. After broadcast, it will be available as a podcast on the BBC Sounds app, or via their website.

Posted in News

On More Yard Music video with Sinead O’Connor, Ronnie Wood and Nick Mason pays tribute to fallen soldiers

Pink Floyd - A Fleeting Glimpse Posted on 07/11/2018 by Col T02/12/2019
Evamore - One More Yard (Sinead O’Connor, Cillian Murphy, Brian Eno, Ronnie Wood, Imelda May)

To honour Armistice Day this year, a number of prominent artists have created a song and video put together from the letters of fallen soldiers, which will raise money for the Cancer Awareness trust.

Cillian Murphy, Ronnie Wood, Brian Eno, Sinead O’Connor, Imelda May and Nick Mason all teamed up for “One More Yard” by the Evamore project, which sees Murphy, the acclaimed actor from films including Dunkirk, reading spoken word poetry over beautiful, haunting instrumentation by Eno.

The track then moves into the song itself, which features O’Connor on lead vocals, Rolling Stones’ Ronnie Wood on guitars, and Nick Mason on drums.

Lyrics on “One More Yard” were inspired by letters written by Lieutenant Michael Thomas Wall, of the Royal Irish Regiment, to his mother in Dublin. The term “one more yard” was used frequently by soldiers in their letters and diaries, in a reference to the trek across no man’s land.

Nick Mason describes it as a project that “allows people such as myself to pay tribute to the young men of 100 years ago who fought for our freedom but also to do something to help young people facing cancer today“.

Ronnie Wood tells The Independent: “As someone who has had to deal with cancer, I am delighted to be part of this new awareness initiative – it’s a great idea backed by some brilliant scientific people. I love the track ‘One More Yard’ – a sad true story set to a haunting melody. It was a pleasure playing on it. I hope everyone gets behind this charity, and there will be more to come.”

“This project is something I’m glad to be a part of,” Imeda May says. “I was called by producer John Reynolds and instantly knew it was something I had to be involved with. There is a strong connection for me, not just because I;m Irish like the soldier who wrote the letters that inspired the song, but also because of the importance of remembrance and tribute to those lost in WWI. Most importantly I feel using this opportunity to raise money for those affected by cancer through the Cancer Awareness trust. I’m immensely proud to say I contributed to this unique artistic and charitable endeavour.”

The Evamore project was founded by Professor Sir Chris Evans, while he was conducting research on creating a new cancer awareness charity. He was struck by the similarities between the emotional struggle of young people confronted with cancer, and the fighting spirit and written expressions of the young soldiers in the trenches of the First World War.

“It was incredibly moving to see how the words of soldiers 100 years ago were so similar to those of young people suffering from cancer today,” he says. “We can only now honour the sacrifice of those a century ago but there is so much to be done to help those who are locked into the greatest struggle of their lives as they confront cancer. We are very privileged that some of the greatest names in rock music and wonderful actors have chosen to get involved in our project.”

The Evamore EP is out now – proceeds for the project will go to a new Cancer Awareness Trust which will provide expert clinical advice and guidance to cancer sufferers around the world.

More info available : https://www.evamore.co.uk/

Posted in News

Roger Waters :- Stravinksky’s The Soldier’s Tale Video Trailer

Pink Floyd - A Fleeting Glimpse Posted on 18/10/2018 by Col T02/12/2019
Roger Waters - The Soldier's Tale by Igor Stravinsky (Official Trailer)

Last month it was confirmed that Roger, in conjunction with the Bridgehampton Chamber Music Festival Orchestra, had been working on a new album – Igor Stravinksky’s The Soldier’s Tale – to be released on CD via Sony Music Classical, on October 26th, 2018

For this new recording of this classic, Roger has rewritten the text, telling the whole of the harrowing modern fairy tale, playing not just the Soldier, the Devil and the Narrator, but all the other characters as well!

Posted in News

Nick Masons Saucerful Of Secrets : Nick Mason, Guy Pratt, Gary Kemp Interviewed With The Guardian

Pink Floyd - A Fleeting Glimpse Posted on 20/09/2018 by Col T14/01/2019


Nick Mason
of Pink Floyd is revisiting the band’s acid-drenched years – with Gary Kemp standing in for Syd Barrett. Are they serious?

If you didn’t know who he was, you would never take Nick Mason for one of the most successful rock stars of all time. Aged 74, dressed down in jeans and a white shirt, softly spoken and understated to a fault, he might be taken for a retired businessman, a solicitor or perhaps the architect he was training to be until a career as Pink Floyd’s drummer intervened.

Handily, his surroundings tell his story for you. The walls of Mason’s London office are covered with awards and memorabilia. Some dates back to when Pink Floyd improvised a soundtrack to LSD-fuelled happenings at the UFO Club. And some of it speaks of commercial success on a barely conceivable scale. What I think is a platinum disc turns out to be a 22-times platinum disc: “To commemorate the sale of more than 22 million copies of the album The Wall.”

Mason is giving an interview because he finds himself in a “very odd” situation. He’s going on tour for the first time in 24 years and the contrast between then and now is almost comically pronounced. In 1994, Pink Floyd’s Division Bell tour grossed $250m and required 53 trucks to ferry it around the world. This year, he’s performing in the kind of small venues no member of Pink Floyd has played in for half a century – and without the “considerable degree of luxury” their latterday tours afforded.

When I mention this, he talks about “the camaraderie” of his new band, Saucerful of Secrets, and mutters something, a little heavily, about how travelling around by chartered 747 doesn’t necessarily make life happier. He did, after all, live through the endless icy struggles that lurked behind Pink Floyd’s vast success.

The real shock is what Saucerful of Secrets, named after Pink Floyd’s 1968 album, are playing. No one expected Mason to see out 2018 as part of a band dedicated to performing the music Pink Floyd made before The Dark Side of the Moon catapulted them to superstardom in 1973. And no one expected such a group to be fronted not just by longstanding Floyd bassist Guy Pratt, but also by Gary Kemp of Spandau Ballet.

“I never in a million years thought Nick would do it,” says Pratt. “But I thought I’d send him an email. And he just said, ‘Yeah, come and have a chat.’”

The email caught Mason in a reflective mood, arriving in the wake of Their Mortal Remains, the blockbusting V&A exhibition that finally seemed to draw a line under Pink Floyd’s career. “Well,” sighs Mason. “I always live in hope. They’ll write ‘I’m not sure the band’s really over’ on my tombstone.”

Mason was intrigued by the idea of revisiting an era when “we didn’t really know exactly what we were doing”. These were the years when the late Syd Barrett was Pink Floyd’s frontman and their brand of exploratory psych got very short shrift outside of London’s hippy enclaves. “Oh God,” groans Mason. “Playing a Top Rank ballroom somewhere, on a bloody revolving stage, with Geno Washington and the Ram Jam Band on the other side of it, and the whole audience wanting them to come on and us to get off.”

Later, after Barrett’s mental breakdown and departure, Pink Floyd were written off by their own managers and, in search of a new direction, tried everything from spacey improvisations to epic orchestral pieces and pastoral country rock. “I hadn’t really examined these songs in 40-something years. It was a real eye-opener. Syd’s way of working and his writing, and some of the other things we did, you just think, ‘God, this has got such a modern feel to it.’” He smiles. ‘Obscured By Clouds! You could take that to Ibiza.”


Mason’s rediscovered enthusiasm for his band’s soundtrack to the French film La Vallée notwithstanding, Saucerful of Secrets looks like an enterprise fraught with risks. The Syd Barrett era may well be the most revered part of Pink Floyd’s career, its mythic nature bolstered by the saga of Barrett’s decline and subsequent reclusivity. Not every fan was overjoyed to hear that the man who wrote the Spandau Ballet hits True and Gold would be singing See Emily Play and Astronomy Domine.

“I had a very similar feeling when it got announced that I was doing The Krays,” says Kemp, referring to the 1990s biopic of the gangster twins. “Both times, it was people going, ‘What the fuck?’ I was looking at tweets I shouldn’t have, all of which were saying, ‘Gary Kemp’s the new Syd Barrett – what?’”

Kemp is keen to point out that his involvement isn’t as improbable as it seems. He is a longtime Floyd fan: in his teens, his tastes were torn between a love for glam rock and an interest in prog. “I went to a grammar school and all the more middle-class kids in the playground would be into Pink Floyd and Yes. They were the kids whose houses you’d go to and their parents would be reading broadsheets and talking about theatre – and they’d have a wok.”

Also, he notes, the London club scene from which Spandau Ballet emerged wasn’t that different from the milieu that first thrust Pink Floyd to fame: the reputation of both rested on being the London hipster’s house band of choice. “There were people at the Blitz Club who’d been at UFO. They were only 12 years apart. We started out as a cult band. We weren’t doing pop music as such – we went that way when we made True.”
Still, he concedes, playing with a Saucerful of Secrets brings some specific challenges: whatever else Spandau Ballet may have been, they weren’t big on improvising on stage, while Syd Barrett’s songs frequently didn’t bother with standard structures or time signatures. “His writing’s like a machine where some of the cogs don’t touch each other,” says Kemp. “It looks like it’s falling apart, but it still works perfectly. You have to learn where it suddenly jumps to a different bit, where he’s just stuck an extra beat in, or taken one out. But Nick,” he says with a certain wonderment, “didn’t even think about it. He just sat down and played it: ‘Oh yes, I remember this.’”

“It’s still fairly clear, the memory of it,” shrugs Mason. “One sort of looks back and wonders at seeing oneself as such a naive, occasionally pompous sort of character in a pair of William Morris print trousers and boots, but I just do remember a lot of it.”

Whatever anyone’s misgivings, the band’s debut gigs in a selection of tiny London venues were greeted with a rapturous response from audiences and critics alike. Belying Pink Floyd’s later image as the horizontal stoner’s soundtrack of choice, Saucerful of Secrets sound thrillingly raw and punky. Neither of the other surviving members of Pink Floyd attended. “I’m fairly certain,” says Pratt, “that the last thing David Gilmour wants to do with his evening is stand in the back room of a pub in Putney surrounded by 300 obsessive Pink Floyd fans.”

But they did give the project their blessing. Exactly how long it all lasts, however, is a moot point. “I’m concerned it doesn’t become too big,” says Mason. “You don’t want it to get to the stage where the improvisation has to go out of the window because there’s too many people there and it seems like a risk.”

He lapses into a thoughtful silence. I think he’s going to say something about Pink Floyd’s famously fraught relationship with vast venues, when they’d dolefully protest about stadium audiences just wanting to get drunk or stoned rather than listen. But he doesn’t. “I’m sorry,” he smiles. “I’m just trying to think what I’m going to say to you when we meet backstage at Shea Stadium in three years’ time.”

Article Used with permission from The Guardian
Written by Alexis Petridis The Guardian’s head rock and pop critic

 

Posted in News

Pink Floyd : Official 2019 Calender Now Available !

Pink Floyd - A Fleeting Glimpse Posted on 18/09/2018 by Col T14/01/2019


It’s a perennial Floyd fan favourite – particularly as a gift at Christmas time – is this annual official wall calendar.

An item which has been produced for many years now, the standardised format is roughly the same size as a vinyl album – roughly 12″ (or 30cm) square, with the calendar opening up to have a double page spread per month.

The calendar this year – as the full title suggests – could be considered a companion piece to the band’s lavish Pink Floyd The Early Years 1965-72 box set (and subsequent “breakout” year sets). Each month provides a blend of (mostly) black and white shots from the band’s initial years, and includes live shots, backstage, studio and posed press pictures.

The calendar each year is often squirrelled away as a collectable for the years to come, and earlier examples are now quite sought after, and we’re sure this one will prove just as popular.

If you want to place your order now, you can do so through the Official Pink Floyd Shop by Clicking Here

Posted in News

David Gilmour & Polly Samson Attend David Crosby’s London Show

Pink Floyd - A Fleeting Glimpse Posted on 18/09/2018 by Col T18/09/2018


On the
16th September 2018 David Crosby brought his 37 Date European Tour to London’s 02 Shepherd’s Bush Empire. In attendance was none other than Polly Samson & David Gilmour.

Posted in News

Rick Wright : 10 Year Aniversary Of Passing – Celebrating The Incredible Music He Left Behind

Pink Floyd - A Fleeting Glimpse Posted on 15/09/2018 by Col T02/12/2019
Pink Floyd - Richard Wright "Wearing The Inside Out"

Rchard Wright, who co-founded Pink Floyd in 1965 and played on all but one album in the band’s discography, died 10 years ago today at the age of 65 after a battle with cancer. “It is hard to overstate the importance of his musical voice in the Pink Floyd of the Sixties and Seventies,” Waters said at the time in a statement. Wright’s jazzy piano and organ lines, his early songwriting credits and his venerable vocal performances were all hallmarks of Pink Floyd’s sound. “He was my musical partner and my friend,” Gilmour said. “In the welter of arguments about who or what was Pink Floyd, Rick’s enormous input was frequently forgotten.”

Posted in News

The Pink Floyd Exhibition: Their Mortal Remains Opens In Dortumnd, Germany

Pink Floyd - A Fleeting Glimpse Posted on 14/09/2018 by Col T14/01/2019

[embedyt] https://www.youtube.com/watch?v=HXECNjqkAmQ[/embedyt]

One of the most successful bands in the history of music allows visitors to take a look backstage. “The Pink Floyd Exhibition: Their Mortal Remains” grants visitors rare and unprecedented insights into the band’s 50-year history.

From 15 September 2018 onwards, this interactive multimedia exhibition will be based in the Dortmunder U, a city landmark visible from afar that is also an established centre for art and creativity.

Tickets can be reserved on eventim.de and also at all eventim reservation counters. After London and Rome, Dortmund will be the only place you can view the exhibition in Germany until 10 February 2019. Be prepared – it caused quite a stir when it was shown in the UK and Italy

The unique interactive exhibition in the Dortmunder U looks back at over five decades of iconic rock history and has a wide appeal that goes far beyond Pink Floyd fans. Using an intense combination of sound, text and image, the exhibition draws visitors in and allows them to experience what it feels like to be up on stage themselves.

Previously unreleased gig recordings, original instruments, unknown scribbles and many personal mementos from members of the British cult band make “The Pink Floyd Exhibition: Their Mortal Remains” an absolute must-see show for music lovers from Germany, the Netherlands, Belgium, Austria, Switzerland and beyond..

The Exhibition is open at the Dortmunder U from September 15th 2018 through till 10th February 2019 tickets can be purchased online by Clicking Here.

Posted in News

Roger Waters : New Album – Stravinksky’s The Soldier’s Tale

Pink Floyd - A Fleeting Glimpse Posted on 12/09/2018 by Col T14/01/2019

As we previously reported back in August , it has now been officially confirmed that Roger Waters, in conjunction with the Bridgehampton Chamber Music Festival Orchestra, has been working on a new album – Igor Stravinksky’s The Soldier’s Tale – to be released via Sony Music Classical, on October 26th, 2018.

Due October 26th from Sony Classical Masterworks, Stravinsky’s The Soldier’s Tale is a new adaptation of the narration for Stravinsky’s 1918 theatrical work solely for orchestra, where Waters is set to narrate the story and voice all of its characters. Waters worked with seven musicians associated with the Bridgehampton Chamber Music Festival, forming an ensemble that sought to honor Stravinsky’s work while reinterpreting it for a new audience.

According to a press release, this project is but the latest in a string of forays into the world of high art for Waters. “Both here and in other works Waters certainly feels an affinity with this moment in the history of music whenever he has to decide how atonal to make his music. How radical should it be? And how is music related to the Classical and Romantic tradition? This is arguably the most important question that progressive music has to ask itself today.”

Waters’ choice of The Soldier’s Tale is serendipitous, give that “he has wanted for a long time to engage more deeply with the work of a composer whose weight and occasional inaccessibility may perhaps have much in common with” his own music.

Stravinsky’s The Soldier’s Tale is set for release October 26th via Sony Classical Masterworks

Tracklisting and order details are available below


Part 1:
1. The Soldiers March
2. Slogging Homeword
3. Airs by a Stream
4. As You Can Hear…
5. The Soldiers March (Reprise)
6. Eventually, Joseph Reaches his Home Village…
7. Pastorale
8. The Soldier, Disconsolate…
9. Pastorale (Reprise)
10. The Soldier, Slowly Coming Back to Himself…
11. Airs by a Stream (Reprise) – To Stretch Out on the Grass…
12. Hey Satan, You Bastard…
13. Airs by a Stream (2nd Reprise)
14. Now to be Gained Here…

Part 2:
15. The Soldiers March (2nd Reprise) – Down a Hot and Dusty Track…
16. He Doesn’t Even Know Himself…
17. The Soldiers March (3rd Reprise) – Will he Take the Road to Home…
18. He doesn’t have a Home Anymore…
19. The Royal March
20. So all was Arranged…
21. Later that Night…
22. The Little Concert – Light Floods the Eastern Sky…
23. The Soldier, with a Confident Air…
24. Three Dances – Tango, Pt. 1
25. Three Dances – Tango, Pt. 2
26. Three Dances – Waltz & Ragtime
27. So First a Tango…
28. The Devil’s Dance
29. The Devil, Confused…
30. The Little Chorale
31. The Devil Recovers Some of his Wits
32. The Devil’s Song – All Right! You’ll be Safe at Home…
33. Hm, a Fair Warning…
34. Grand Chorale (Part 1)
35. Spring, Summer, Autumn…
36. Grand Chorale (Part 2)
37. Steady Now…
38. Grand Chorale (Part 3)
39. Steady, Just Smell the Flowers…
40. Grand Chorale (Part 4)
41. Now I have Everything…
42. Grand Chorale (Part 5)
43. The Princess, all Excited…
44. Grand Chorale (Part 6)
45. And so, Off They Go…
46. Triumphal March of the Devil

The Soldier’s Tale – Narrated By Roger Waters

You can pre-order the album from all the usual suspects such as Amazon and Itunes and Spotify Premium.

As a convenience to you we are providing these Amazon Links  USA | UK | CANADA We are a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for us to earn fees by linking to Amazon.com and affiliated sites.

 

Posted in News

Post navigation

← Older posts
Newer posts →

Col Meeting Roger Waters, In The Flesh Tour 2002
Col Meeting Roger Waters, Dark Side Of The Moon Tour 2007
Col Meeting Roger Waters, Dark Side Of The Moon Tour 2008
Col Meeting Storm Thorgeson, Taken By Storm Exhibition 2008
Col Meeting Guy Pratt, Breakfast Of Idiots Shows 2009
Col Meeting Roger Waters, Us & Them Tour 2018
Col Meeting Nick Mason's Saucerful Of Secrets, Echoes Tour 2023


As a convenience to you we are providing these Amazon Links USA | UK | CANADA

We are a participant in the Amazon Services LLC Associates Program,
An affiliate advertising program designed to provide a means for us to earn fees by linking to Amazon.com and affiliated sites.


FAQ & Help Guide | Privacy Policy | Cookies | Dedications | Contact 

Col Turner - Technical Support. Founder of this site back in June 1998. Pink Floyd fan since 1966.
Tony Rapata - Editorial. Tony has an incredible knowledge of Pink Floyd that goes back years.You want news? Tony has got it.
Julie Skaggs - Historian/audiophile. Written numerous acclaimed articles and interviews. Opinionated but fair.
Natalie Lyons - Books & Magazines. We're betting that there is not a Pink Floyd article that Natalie has not read!
Christopher Hyzy - Art Director. You can see Christopher's stunning artwork on this site. An artist beyond compare.


Articles published between January 2017 until late April 2023 are thanks to Liam Creedon.

©2025 - Pink Floyd - A Fleeting Glimpse - Weaver Xtreme Theme Privacy Policy
↑