Guitarist Snowy White barely knew who Pink Floyd were when he joined them on tour in 1977. He would wind up performing with Roger Waters for decades.

Rolling Stone interview series Unknown Legends features long-form conversations between senior writer Andy Greene and veteran musicians who have toured and recorded alongside icons for years, if not decades. All are renowned in the business, but some are less well known to the general public. Here, these artists tell their complete stories, giving an up-close look at life on music’s A list. This edition features guitarist Terence “Snowy” White.

When Roger Waters put a band together for his 1999 In the Flesh comeback tour, bringing guitarist Snowy White into the mix was a no-brainer. Their history goes all the way back to 1976 when White joined Pink Floyd as a live member for the Animals tour. He stuck around for the 1980 Wall tour and Waters brought him back for his own 1990 Wall show in Berlin. Simply put, there was no other guitarist on earth (short of David Gilmour) more qualified for the job.

“Roger phoned me up and he said, ‘I’m only doing this little tour, just three weeks,‘” the guitarist recalls. “‘It would nice if you were in the band.’ I agreed to do it since it seemed like a nice chance to get out to America and do some shows. I thought it would just be three weeks, but that short tour turned into 13 years.”

White is most famous for his five-decade history with Pink Floyd and Roger Waters, but he was also a member of Thin Lizzy in the early Eighties and he’s played with everyone from Peter Green to Mick Taylor. He also scored a hit on his own in 1983 with “Bird of Paradise.”

We phoned up White at his home in Petersfield, England, to hear his whole saga, going all the way back to his earliest days on the British blues circuit. “You’re dredging up memories,” he says, “that were almost lost to the mists of time.”

Below is a short excerpt of the interview

How did you wind up on the 8-track version of “Pigs on the Wing”?

It was that same day. We went back in the control room after I was offered the gig. Roger said, “As long as you’re here, you might as well record something.” They’d been recording “Pigs on the Wing.”

He said, “Why don’t you do a solo in the middle? Use any guitar you like.” There was this white Strat there. I picked it up and played a solo. A few days later, Rog said to me, “We’ve got some bad news.”

I thought, “Oh, no. The tour is canceled or I’m not on it.” He said, “We’ve decided to split ‘Pigs on the Wing’ between the first half of the beginning of the album and the second half at the end. We’ve lost your solo.” I said, “Is that all?” It didn’t mean anything to me.

Because of the 8-track, they didn’t used to stop. They used to turn around and carry on. They put the solo back in for that. That’s why it’s on that. I have an original here still in its cellophane wrapper, the old 8-track.

To read the interview in full you can do so by clicking here to head over to the Rolling Stone website

It was 50 years ago that a most unique rock album was released, The Madcap Laughs by Syd Barrett – an example of “art brut” in music. In a distinctly non-commercial move, the album missed the Christmas market, in spite of a final recording session as early as July 26, 1969. Some say it was held back not to compete with Ummagumma. Syd Barrett probably did not care.

The famous photo sessions with daffodils and a naked Iggy Rose took place in April. The less known but officially commissioned “yoga session” actually took place in October. Some of these so-called yoga photos by Storm Thorgerson ended up on the inside of the original gatefold cover – with the madcap theme in full bloom.

Storm shows us Syd Barrett with his head up in the clouds and beyond, and several creepy images that spawn almost like octopus tentacles from his torso. To remove any debate about the nature of the imagery there is also an image of Syd with a cracked head at the bottom of the gatefold. Top center, Syd seems to have his head stuck in a TV set and top left is an even more odd image and a bit of a mystery: A baby and some sort of tool against nasal congestion (?). Storm took weird to new levels with this inside cover! EMI probably did well in selecting among the April photos for the cover.

The cover art notwithstanding, The Madcap Laughs was actually created in a happy time window. Syd had in 1969 left behind him his annus horribilis and gained new hope, much thanks to Malcolm Jones, and new love with Gala Pinion. The spring and summer also included the build-up to the moon landing, the anticipation of the Woodstock concert and, more importantly for Syd, the return to stage by Bob Dylan after three long years away from the public eye.

When the album was released things had changed. The end of the year turned darker, much darker, and all too well showed that the 1960s were over. For the hippie generation, two serious blows were dealt when in December the link between the Manson family and their atrocities was fully uncovered and the tragic Altamont festival played out.

Therefore, The Madcap Laughs, in all its darkness, holds a special lighter place in time. Syd, in love again, had embarked in a daffodil-filled springtime on recordings that would go on to form an outstanding collection on one of rock music’s enduringly legendary albums.

Join us in wishing Happy Golden Anniversary to the magic Madcap album.

Set The Controls for Record!

The perfect opportunity to have a look (and save some money). If you have access to Sky Arts then our film “Live At The Roundhouse” is on next Saturday 21st November at 10pm.

The full version is being screened which includes all of the band talking about the project amongst some fantastic songs that the band LOVE (and miss) playing together.