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Yearly Archives: 2018

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Richard Wright : AFG Exclusive Interview With Zee Co-Founder Dave Harris

Pink Floyd - A Fleeting Glimpse Posted on 21/05/2018 by Col T22/05/2018

Identity is the only album by Zee, a short-lived side project of Pink Floyd keyboardist Rick Wright, a duo partnership consisting of Wright and Dave Harris of New Romantic outfit Fashion, released in 1984. The album was written and produced by Wright and Harris and all the lyrics were penned by Harris.

The album makes heavy use of the Fairlight CMI, a musical synthesizer popularized in the 1980s. This creates a very electronic sound that persists through every track.

Rumours began to circulate the internet back in April of 2017 that a re-release / expanded version was being worked on, Many people aross the globe had began to revisit the album after all those years, which subsequently accumilated in a refound buzz and love for the original record.

Due to the sad passing of Richard Wright in 2008, One could assume that this album would never be touched again, How very wrong we were.

We have managed to obtain some of Dave Harris (Zee Co-Founder and Rick’s Bandmate) time from his very busy schedule to bring all visitors an exclusive interview regarding Richard and Dave’s Zee Project.



AFG
:
First of all i want to say thank you from AFG on behalf of all of our visitors across the world, for taking the time to participate in this interview.

How did you meet Richard what set the spark to write an album jointly?
Dave : It happened in New York, I was approached by Raff Ravenscroft (Sax Player Baker Street), I had just left ‘Fashion’, Raff mentioned that Rick had been fired by the band (By Roger Waters) and Rick was looking to set up a new band. When we got back to London, I met up with Rick, Raff and some other musicians who had been selected. From here we had 2 or 3 rehearsals. The other musicians were mainly session guys and had a heavy workload. Therefore the number of players started to chang every time due to their work constraints. It was at this point whilst having a meeting alone with Rick, I suggested we did the album as a 2 piece, and worried about the players when we came to gig. Rick agreed and the plan was set.

What was the influence of your back catalogue in Fashion in the meet-up and the recording of the album?
I have been influenced by many styles of music over the years, the Floyd not being an influence, but I was a fan of them. Rick wanted to take a more modern approach to this new album.

How was the work split between Richard and you in the composition of the record? Did you work together on the songs or did you come up with your own compositions and directly recorded based on them?
We started off together, but there were periods where Rick was away for business, then I would work by myself (Sue and I had moved in with Rick because he had the studio in the rectory and I could work whenever I pleased).

Would you define Identity as a balanced joint effort by Harris and Wright?
Yes I guess so.

What are your recollections of working with Richard as a musician and as a person? What would you stress as your main concerns (both Rick’s and yours) at the time of writing the album?
Our relationship as friends took off straight away, we hooked up and as I say, Rick invited Sue and I to move into the rectory, pretty much straight away. Regarding our musical relationship, we were from completely different musical backgrounds. My concern was that Rick enjoyed working with a heavier balance of synthetic instruments, because this was the way my music was moving. There wasn’t even midi at this stage and we were both interested in using Ricks Fairlight, as he hadn’t touched it yet….

Zee… Where did the group name come from? And Identity? Did you write all the lyrics?
I came up with the name ZEE after the album was recorded, just liked the sound of it and the look, ‘Identity’ was a good name because of the 2 different characters involved. Yes I wrote all the lyrics and top lines.

Many fans still think that the vocals in Identity are Richard’s while I think it’s mainly you. Why was that? Do any takes with Richard on lead vocals survive?
No, Rick didn’t do any lead vocals, he was going through an insecure period in his life when we got to mastering the album, and although he stepped up a couple of times, it didn’t happen. Rick did sing on the B.Vox with me.

It might be an obvious question, but why did the Fairlight take the more prominent role in the record? Didn’t you consider using some other “out of fashion” synths at the time?
The Fairlight was just going through a major update regarding the Page R sequencing package, in fact we were working on beta versions with Syco Systems who were the main suppliers of Fairlight in Britain. It was a fabulous time, and a new way of syncing other keyboards to it.

Did any other musicians work on the record and remain uncredited?
No the album was totally Rick and myself.

Did you get in touch with Richard after the original release and did you ever consider a follow up?
Rick wanted to do a follow up album straight away, we had done some work at his house in the South of France and he had the idea to move everything down there and start the next album. I had been offered a co production of an album for another artist and because I wanted to advance my career into production as well, I took the Production job, Obviously I wasn’t as financially well off as Rick and couldn’t afford to take another year off writing a new album.

What are your memories of the let’s say cold reception the record has at the moment and what made your mind up to remix and re-release it?
I wasn’t aware of a cold reception at the moment, since Social media has reduced the size of the world there has been a better reception than I ever thought. I do remember a cold reception when ‘You Tube’ came out and some of the comments were pretty bad. The people I am in contact with now are people who bought the album when it 1st came out and have been a fan since then.. My mind was made up by an author from Italy who had written many books on the Floyd and persuaded me to do a digital remix. Strangely enough, within about 2 weeks I had been contacted by a record company in the UK who do License deals on out of print albums. So I said yes…

How do you feel with the album 30 years later? What would you have done differently then and what has been your re-mixing criteria now?
The main thing I wish is that the Fairlight wasn’t so strong in the compositions, having said that, it was the keyboard and the new sound and sequencer of the time, so that’s that. I wish, Rick had been up to singing some lead vocals and writing some lyrics.
Regarding the remix, the digitalization and subsequent eq’ing has brought out a lot of frequencies especially bottom end which have become available because of the new amazing software plugins that are available.

You’ve had several proposals to re-mix the record in 5.1. Did you seriously consider the possibility and thought of any engineer? Andy Jackson would be a perfect candidate, but there are other like Bruce Soord or Giancarlo Erra that might be interested.
Yes I have been approached by a guy, Jan Printz who has offered to do that. We will see as we get to release.

Apart from Richard’s family, did you have to pass any other filters inside Pink Floyd’s world to have the record released? How would you define having to deal with PF’s bureaucrats?
Yes we are dealing with Pink Floyd Music Ltd. As it was them who own the recording rights. They have made an agreement as well as that we have to adhere to, and defining working with them, fine but slow…..

Will Pink Floyd support the promotion of the release? Your closeness to the fans in Internet has been greatly appreciated, but having PF’s marketing machinery supporting the reissue will surely boost sales.
Unfortunately not, I agree It would have been great to have them on board especially as they or Richard Wright Music Ltd. haven’t had to pay 1 penny in the reproduction of this album, they could just sit back and take their cut. That’s all I can say.

Did you consider asking David Gilmour or Nick Mason to do any special contribution for this new edition?
I would have loved to have done that, but to have had an agreement for them to be a part of the re release would have been out of the question and financially crazy.

What is Richard’s family position regarding Mr. Wright’s musical legacy? Have they considered opening the vaults for you to use any unreleased material he may have been working on prior to his death?
I met with Gala and Jamie last summer, we had a great meeting after so long, and they were young kids in 84. I mentioned this to them, but it seems there are so many tapes files etc. that they haven’t been able to really make head nor tail out of it. So no commitment really. We will have to wait and see….

After all the delays in releasing the record, do you have now a new target date?
As it happens Liam, I am about to contact RWML. As the ball is in their court. I am ready with the complete packages but they have had various changes they wanted to make to the album package and our agreement. We could have the album out in a couple of months if everyone is compliant and right now, I don’t see why they shouldn’t be. I will keep you and the Facebook followers posted over the next couple of weeks.

Apart from a new Fashion album that is on the works, what will the future bring to Dave Harris?
Thanks for that plug my friend… After these 2 albums are released I am looking forward to working with Zeus B Held again (The producer of Fashion Fabrique). We will be working under a new name and looking towards Recording an album and Gigging soon afterwards. I’m very excited about this project.. I hope you will be too..

Our sincere gratitude goes out to Dave once again for taken the time to participate in this interview, for those of you wishing to follow the movement on the Zee : Double Identity release you can do so by visiting Dave’s – ZEE (Official)  Facebook page by Clicking Here

Many thanks to César & Jose Lira for their contributions to conducting this interview.

Posted in News

Nick Mason’s A Saucerful Of Secrets Debut !!

Pink Floyd - A Fleeting Glimpse Posted on 21/05/2018 by Col T02/12/2019
Nick Mason's A Saucerful Of Secrets - STCFTHOTS

 

You can find more videos and pictures over in our dedicated tour section by clicking here

 

Posted in News

Nick Mason’s Saucerful of Secrets Feature In July Edition Of Uncut Magzine

Pink Floyd - A Fleeting Glimpse Posted on 18/05/2018 by Col T18/05/2018

As the title suggests Nick has an exclusive new feature in the new issue of the UK printed Uncut Magazines July 2018 Edition.

In the extensive new feature there is a large contribution from Nick in which he discusses the show has the blessing of both David Gilmour and Roger Waters, In which he also gives us a very excting glimpse of a few songs that are included in the new show.

” We’re not a tribute band, It’s not important to play the songs exactly as they were but to capture the spirit, Its extraordinary, the construction of some of the songs “

The Magazine is currently available on all uk news agents and magazine retailers. For those over the pond you can buy a digital edition on the Official Uncut Website by Clicking Here

(Spoiler Alert)
*Bike* *Set The Controls For The Heart Of The Sun* *Interstellar Overdrive* *See Emily Play*

Posted in News

New issue of UK’s Prog magazine Features Article on Nick Mason’s Saucerful Of Secrets

Pink Floyd - A Fleeting Glimpse Posted on 12/05/2018 by Col T12/05/2018

In the newset edtion of Prog Magazine Issue Number 87 (10th May), Nick Mason is featured with an extensive article talking about his returning to the stage with a new project that pays tribute to the seminal years of his former band.

Nick Mason’s Saucerful Of Secrets includes not only the Pink Floyd drummer but also guitarist Lee Harris (Blockheads), Keyboard Player Dom Beken (ex- The Orb), Floyd bassist Guy Pratt, and Spandau Ballet’s Gary Kemp on vocals and guitar.

“I’d been ruminating on playing again rather than just talking about the old days” says Mason. “It seemed like a good idea and it sounded as though we could actually find enough peope commited to doing it, so it’s sort of crept into the consciousness, I suppose. I think once we actually got some instruments and played together it was a case of “Oh yeah, this is fun and it could work!”

Prog Magazine is available in most UK magazine retailers and is also available on iPad, Google Play, Kindle and Nook.

For International visitors You can purchase Prog Magazine, online by clicking here.

Posted in News

Nick Mason – Interview With Paiste Cymbals

Pink Floyd - A Fleeting Glimpse Posted on 30/04/2018 by Col T02/12/2019
Nick Mason Paiste Interview

Posted in News

David Gilmour : Shares His Thoughts On Jeff Beck In Jeff’s New Documentary

Pink Floyd - A Fleeting Glimpse Posted on 30/04/2018 by Col T30/04/2018

As the title suggests David Gilmour has made a brief appearance in Jeff Beck’s new Still On The Run Documentary.

“For many people, musicians and fans alike, Jeff Beck is the greatest ever British guitarist. For more than 50 years he has blazed an uncompromising trail across the musical landscape. Always an innovator, never a follower, Jeff has steadfastly refused to pander to the demands of the record industry. This maverick attitude required some difficult career decisions; he left The Yardbirds at the height of their popularity, deserted his own group days before their billed appearance at Woodstock and often shifted his attention to his other great passion of building hot rods rather than continuing a tour or returning to the studio.

Jeff’s adventurous spirit led him to embrace a wide range of musical styles and he is one of a handful of artists who have transcended and redefined the limitations of their instrument, be it the Fender Telecaster, Esquire, Strat or Gibson Les Paul. He pioneered the use of feedback on record and his ability to capture the zeitgeist made The Yardbirds forerunners of psychedelic blues. With The Jeff Beck Group and the album Truth, he nurtured two of rock music’s finest performers, Rod Stewart and Ronnie Wood, and gave birth to a sound that would later mutate into heavy metal.

He turned even the loss of Rod Stewart to his advantage by almost single-handedly inventing the guitar instrumental album with the release of Blow By Blow, which embraced the influences of Jan Hammer and John McLaughlin whilst developing a sound that was uniquely his own. Moving forward Jeff continued to push the envelope, amassing a fantastic body of work spanning many musical genres whilst constantly developing and evolving his inimitable approach and technique.

This film tells Jeff’s story from his earliest days growing up in Wallington, Surrey with his homemade guitars, teenage friendship with Jimmy Page and the influences of guitarists such as Les Paul, Cliff Gallup and James Burton. With essential tracks from throughout his career it follows his journey from art school and early bands, through his various groups, musical ventures and passion for hot rods, to the release of his latest album and sell-out show at the Hollywood Bowl. We hear testimony to the genius of Jeff Beck from musicians who have recorded and played alongside him such as Jimmy Page, David Gilmour, Eric Clapton, Rod Stewart, Ronnie Wood, Jennifer Batten, Beth Hart, Joe Perry and Slash, who all shine a light on his ever-evolving guitar style and reveal why to this day he remains not only a musical visionary but also the most influential and highly rated guitarist of his generation.”

The documentary is currently available to watch online using BBC Iplayer in the UK, You can view it by clicking here

The documentary will be available to buy on blu-ray for our visitors over seas from May 18th 2018

You can pre-order direct from Amazon !!

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Posted in News

Guy Pratt : Inglorious Bassterd hits Manchester

Pink Floyd - A Fleeting Glimpse Posted on 30/04/2018 by Col T30/04/2018


Guy Pratt has been a crucial member of the rhythm section of megastars such as Pink Floyd, David Gilmour, Robert Palmer, Roxy Music, Bryan Ferry, Jimmy Page, David Coverdale, Womack & Womack, and The Smiths.

And when he’s not been parading his talents live on the stages of every stadium, concert hall and festival around the world, he has been a favourite studio bassist and accompanying singer for the biggest recording artists including Switzerland’s Florian Ast, Madonna, Michael Jackson, Iggy Pop,The Pretenders, Echo and The Bunnymen and McFly.

His one man show is all about life at the pointy end of the music business; Guy regales audiences with stories from behind the scenes. His self-deprecating wit is irresistible and his rip-roaring anecdotes are brilliant and outrageous.

This is an evening which is both funny and frank with enough insider’s references to satisfy even aficionados – and he’ll be bringing his beloved vintage Fender bass to demonstrate his craft.

The show is taking place on Friday 9th November 2018, 8.30 pm at The Principal Manchester, Oxford Street, Manchester, M60 7HA

Tickets are now on sale now for the event, Which is priced at the very reasonable rate of £8.50 plus £1.75 booking fee.

You can purchase your tickets online for this performance by clicking here.

Posted in News

Roger Waters : Us & Them 2018 Extra Dates Added

Pink Floyd - A Fleeting Glimpse Posted on 30/04/2018 by Col T30/04/2018

Due to an overwhelming demand, five extra dates have been added as part of Roger Waters Us + Them 2018 Tour.

October 10th – Allianz Parque, São Paulo, Brazil
November 9th – Estadio Unico de la Plata, Buenos Aires, Argentina
November 17th – Estadio Monumental “U”, Lima, Peru
November 21st – Estadio Nemesio Camacho El Campín, Bogotá, Colombia
November 24th – Estadio Nacional de Costa Rica, San Jose, Costa Rica

Posted in News

Roger Waters Announces 5.1 Surround Sound Release Of Animals In New Interview

Pink Floyd - A Fleeting Glimpse Posted on 17/04/2018 by Col T30/03/2021


On Sunday 15th April 2018 Roger Waters Appeared on NPO Radio 2 a public-service radio station from the Netherlands,
In this podcast he tells us a lot about his old band, the tragedy about ex-front man Syd Barrett, the legendary album Wish You Were Here and his current Us & Them Tour
.

In the podcast he lets slip that the 4 dates in Amsterdam at the end of June as part of his current Us & Them Word Tour are going to be filmed for a future release, Aswell as annoucing a re-issue / 5.1 mix of the 1977 Pink Floyd album Animals which features new artwork by Hipgnosis co founder Aubrew Powell.

Sadly the podcast is no longer available.

Posted in News

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Col Meeting Roger Waters, In The Flesh Tour 2002
Col Meeting Roger Waters, Dark Side Of The Moon Tour 2007
Col Meeting Roger Waters, Dark Side Of The Moon Tour 2008
Col Meeting Storm Thorgeson, Taken By Storm Exhibition 2008
Col Meeting Guy Pratt, Breakfast Of Idiots Shows 2009
Col Meeting Roger Waters, Us & Them Tour 2018
Col Meeting Nick Mason's Saucerful Of Secrets, Echoes Tour 2023


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