Harry Waters, best known for playing keyboards for his dad (Roger Waters) has sat down with Rolling Stone in a brand new interview. Harry talks about being let go from his dad’s band in 2016, sitting in for Brit Floyd and speaks about his musical upbringing. It’s a really good read we highly recommend you check it out! CLICK HERE
We at AFG would like to wish a very happy birthday to legendary singer Clare Torry, best known for her iconic vocals on The Great Gig In The Sky. Happy Birthday Clare, we hope you enjoy your day!
Pro-Ject Audio Systems who specializes in Hi-Fi electronics and turntables unveiled their new The Dark Side Of The Moon style turntable a few months back, and they are now shipping. They are handmade in Europe and are gorgeous works of art, if you consider yourself a hi-fi audio aficionado then we highly recommend you snag one! Read on for the details and ordering info..
From Pro-Ject Audio..
For us, it was very clear: We need to create a turntable out of this artwork, which reproduces the dynamic and colours of the original album.
The result is an extraordinary turntable, which has never been there before. We were able to keep the core aspects of the artwork design and combined it with high quality materials. The plinth is made of MDF which offers the perfect base. The stainless steel axle of the heavy aluminium sub platter sits in a bronze bushing. The flat silicon belt builds the connection to the AC motor, which ensures stable speeds.
The low resonance tonearm is a complete new design and definitely one of the highlights of this turntable. Its combination of black aluminium parts and acrylic results in an absolute eye-catcher. The supplied Pick it PRO Special Edition is tuned to fit the whole concept and delivers the rich sound you would expect for a Dark Side Of The Moon turntable.
The new “The Dark Side Of The Moon” turntable is carefully designed and
handmade in Europe. Due to the design & superior materials our turntables are built for eternity.
With high-quality components, but also well-thought-out design, we want to be a pioneer in the industry.
Click here to order yours and view all the specs: https://www.project-audio.com/en/product/the-dark-side-of-the-moon/
Pink Floyd’s Facebook page made mention of recently unearthed footage from Dutch photographer Frans Verpoorten of Pink Floyd performing Set The Controls For The Heart Of The Sun live at the Kralingense Bos Music Festival in Rotterdam, June 1970. Although not the full song (due to 8mm limitations) it is really great footage showing all four members of the band. Do check it out! Click to watch
The Doc is back this month with a new podcast! Featuring Pink Floyd’s conceptual piece “The Man And The Journey” taken from The Early Years boxset (1969 Dramatiz/ation set).
Here’s the latest and this time, a revisit… a spotlight on Pink Floyd’s first conceptual piece, The Man And The Journey. It was a pivotal time for Pink Floyd and you can clearly hear the direction they’re starting to go down, so I figured I’d dust this recording off a little.
Someone released this one into the wild back in the late 90’s, but it wasn’t officially released until 2016. From the Concertgebouw in Amsterdam, 17. September 1969.
Our friends over at The Pink Floyd Research Group have dropped two new films in the last week and a half. The first being a lent scanned copy of Pink Floyd live at the LA Sports Arena on April 27th, 1975 and the second being newly obtained footage just this year of Pink Floyd’s famous Montreal show in QC on July 6th, 1977 (the famous spitting incident) do check them out as they are worthy of repeat viewings! If you have any archival material you’d like to have color timed and synced up do send them an email as its a labor of love for them and they share these films for free to fans all over the world.
Contact them at pinkfloydresearch@gmail.com
Major thanks to John Waters!!!
The Pink Floyd Research Group are proud to unveil a BRAND NEW Super 8mm film of Pink Floyd performing in Los Angeles, April 27th, 1975. If this date sounds familiar to you, it’s because we already have a film from this date; making this another source 2 for Pink Floyd!
This film is one of many duplicate concert film prints that were distributed through Creem & Hit Parader magazines back in the 1970s. You would see an advertisement, and you could order a copy. Unfortunately the whereabouts of the original master reels are lost.
This particular duplicate reel is owned by film archivist John Waters, who was gracious enough to lend me a scanned copy. I asked if I could share it online for everybody, and he said go for it! Endless thanks to him! – TPFRG
Filmed by Daniel Graham Here is the infamous second film source of Montréal 1977 that appeared online a few months ago, synced up to a multi-recording matrix done by Davide Capolongo, as well as a colour correction. This is the legendary concert where Waters was so fed up with the rowdy American crowds that he ended up spitting in the face of a fan who was climbing up the front of the stage.
Waters claims in interviews that this moment was during a “quiet bit”. Chris Cockram — a roadie for the 1977 tour, working around the stage — claims that the spit did indeed happen during ‘Money’, and that the famous Wray Ellis account — who was not even near the stage after Animals — is simply untrue. The shot of Waters whistling at 4:13 clearly shows him facing upward. Judging by his upward stance and very pig-based dialog (a la, 1980-81), it is more than safe to assume — if not confirm — that the spit did NOT happen during Pigs, and that he was simply yelling at the inflatable. The clip of Waters at 14:08 during ‘Money’ shows him yelling angrily at somebody in the crowd, and giving them the middle finger. At 14:16, during the “quiet bit” to ‘Money’, Waters is seen lunging forward, in a spitting motion. This is very likely to be the historical moment captured on film. This will teach you; don’t believe everything you see on the internet, unless there is footage of it. – TPFRG
Our very own Col Turner, the founder of ‘A Fleeting Glimpse’ is this months’ guest on Fingal’s Cave podcast. Hear Col reminisce about seeing Pink Floyd at the UFO Club, insight on the A Fleeting Glimpse website and the one occasion where he asked Roger Waters to smile plus more! This is a very special episode and you don’t want to miss it! Once you have finished watching or listening to it you can read all of Col’s memories HERE
Col Turner is an influential and significant figure amongst Pink Floyd fans across the globe who has been following Pink Floyd since 1966.
We discuss Col’s UFO Club experiences and the London scene. Col emigrated after the Hyde Park 1970 concert and reconnected to the band in Australia in 1971 and 1988.
Perhaps best known for ‘A Fleeting Glimpse’ (www.pinkfloydz.com), Col’s website was created 25 years ago and features countless stories, interviews and fascinating Pink Floyd insights. Col has met Roger Waters on four occasions and, as you will hear, it hasn’t always gone smoothly.
Join us to hear Col, Nils and Ian enjoy a warmhearted conversation and stories from this superfan’s 57 year Pink Floyd journey.
Famous author Rob Chapman who wrote the perfect (and most informative) Syd Barrett autobiography A Very Irregular Head: The Life of Syd Barrett pens a new book titled Unsung: Unsaid: Syd and Nick in Absentia. It tells a partially fictional tale of what if Syd Barrett and Nick Drake had a series of encounters in the mid seventies? It also delves into each mens life and their troubled psyches. It will no doubt be an interesting read! Read the official synopsis below and find the link to pre-order, available January 1st, 2024.
In the summer of 1974 Nick Drake and Syd Barrett made their final ill-fated ventures into a recording studio. There has never been any evidence that they ever met or that their paths crossed in any meaningful way. Until now.
In a parallel fictional universe it turns out that they did indeed have a series of encounters that year, firstly in the café snack bar in Kensington Market and subsequently in other central London locations. These meetings, tentative and fragmentary, yet full of shared understanding reveal much about the inner life of each man during that troubled late stage of their respective careers.
In Unsung : Unsaid we also learn about other previously undocumented aspects of their young lives. There’s Nick’s showcase Festival Hall concert in the summer of 1971 and Syd’s short-lived band with Steve Took, during 1972. A portfolio of Syd’s unrecorded songs which turned up at his music publishers in 1974 will reveal to the reader for the very first time an abundance of previously unseen lyrics. Similarly, a bootlegged copy of Nick’s unreleased fourth LP is faithfully and lovingly detailed by two of his most ardent admirers. You can read about the long-lost solo album that Syd was going to record in 1967 before the demo went missing, and about Nick’s aborted plan to record an album of cover versions, complete with a full run down of the tracks he chose and his reasons for choosing them. A rare audio letter has been unearthed in which Nick muses on his musical apprenticeship and his misgivings about the record industry. In another equally candid letter, written but never sent to Francoise Hardy he talks about his love of Paris, about Albert Camus and other philosophical matters.
We explore the intricacies of both men’s dreams and what they say about their troubled psyches. We learn in more animated detail than ever before about the realities (and acid induced unrealities) of Syd’s formative years in Cambridge and his coming of age in Swinging London. The Happenings. The art school apprenticeship. The light shows. The I Ching and the search for spiritual enlightenment. Syd’s residency at the Chelsea Cloisters hotel and his increasingly wayward daily derives around London. It’s all here.
Unsung : Unsaid gives momentum to stasis, substance to enigma and helps us understand more about what drove and derailed each man’s creativity. It is a philosophical meditation on absence, existential crisis and loss. But underpinning it all is those three (or is it four? Or more?) encounters in 1974. “This bedraggled Estragon and haunted Vladimir, so alike in their vacancy” captured shortly before they both drift into myths and fables. In a way it always has been about myths and fables but you’ll learn as much here about the actual Syd Barrett and Nick Drake as you will from any biographical account.
Here’s to more plausible myths and fables.
A Fleeting Glimpse now has a Facebook Group! You can join here Pink Floyd – A Fleeting Glimpse Facebook Group or use the QR code below. We welcome all fans and we hope to see you there! Please be respectful to each other and let’s share our love for all things Pink Floyd!
