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The mood or ambience was great as this was a small very historic theater and inside a fog machine had pumped out a great deal of mist prior to the entering of the audience. It was a murky foggy type of surrounding and as well a sweet almost incense smell was in the air. As stated on sheets taped to the doors the show promptly starts at 8 pm and that it was being filmed as well. The beginings of Castellorizon droning pulsating began growing louder and louder. Then came on the band and very loud appreciative roar. David gave a brief introduction of the upcoming show and the second set was to be older favorites. |
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I had seats on the top tier,
or third balcony, and was overlooking the band mostly able to see everyone
but Phil Manzera. Behind Jon Carin tucked in the stage right side corner
was the soundman.
Guy Pratt was wearing the well known t-shirt "Didn't They Do Well".
Only a few mild interruptions if you call it that. Just signs of appreciation really, "We love you david!" a few times was shouted.
Castellorizon was a great opener, setting the
mood on a up swing with a few extra notes added as improvations and the
audience cheered with approval as this was just one of the two special night
for us here in Canada would be privy to. Lighting and the small stage was
fine the essentials were there.Great musicians and a polished small producotion
was just fine.
On An Island which was great to hear live with the end solo having some
interesting bends and sustains to close out the piece by David.
The Blue which was beautifully done in a live atmosphere, lighting was tastefully
done by Mark Brickman. Casting of a beautiful wash of blue over both stage
and audience and this is one of my new latest loved songs.
Red Sky At Night, had Mr.Gilmour on center stage with a saxophone and deep
red light cast down on him while the band was shrouded in darkness even
though a brief piece his saxophone debut to us the audience was quite good.
This Heaven a nice jam blues number had a nice tumble too it with some extended
guitar parts and nice blues leads by Gilmour on a Gibson Les Paul Gold Top
and Gut Pratt on a modern electric standup bass.
Then I Close My Eyes at the middle Dick Parry saunters to stage right and
delivers his trademark sax sounds wonderfully.
Take A Breath was one of the many highlights of the night of this first
set which had heavy strobe-light action mostly throughout and this is when
the fire alarm went off at the end of the song and then as David put it
"Or is it a fog alarm?".
Smile was where things slowed down for a bit and doned an acoustic guitar
and the slide parts were gracefully done on a standup acoustic lying flat
upright.
A Pocketful Of Stones was an interesting piece live with the orchestestral
sections handled by Wright and Carin and David's voice was very raspy near
the end vocals as he had slight difficulties for a moment.
Where We Start was both a great album closer and as well a set closer as
too.
<< INTERMISSION >>
SECOND HALF:
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Shine On You Crazy Diamond
multi coloured triangle shapes was over each member as the maestro
opened this epic and in 2006 had a nice modern swagger to it with
alot beauty and grace played on a candy apple stratocaster. |
![]() Still no sign of the band! |
Fat Old Sun one of my favourites
and the organ starts it off with the hammond sounds and the guitar solo
just kept building and building until reaching a crescendo just like the
early versions of live 1971 tour.
Breathe/Time this is where Guy Pratt muted a couple of bass strings to give
the ticking of the clocking sounds/Breathe Reprise was sounding like the
live 8 rendition with Jon Carin having some of the lap steel parts down
for the fills.
High Hopes started with Steve hitting the Division
Bell (could not resist) and David with spanish type of guitar licks added
in and a soaring solo reaching the highs and ending abruptly for alot of
impact.
Echoes was up next which is my all time favourite song which got an explosive
excited applause. As all but one note, ping, was the sole note heard which
slowly got the song up and moving along with beautifully shared vocals and
harmonies with Gilmour and Wright. Richard was jumping around on his squared
off keyboard section gettiing the notes in with passion. Then the seagull
sounds was awesome sending the audience in ecstacy. The groove started back
with the rhthyhm Richard was encouraging Steve to start the drums fills
in and keep them coming too with a big smile.
The band briefly leaves the stage momentarily and I spotted Richard at the
back door having a smoke and teetering or leaning in from back door which
a lot of people could not see perhaps but my balcony seat gave view to see
him waving and taunting the audience in gest.
ENCORES:
Wish You Were Here lasers crisscrossed each other making triangle shapes
in various colours at times (orange,blue, red). Lots of audience interaction
too.
Comfortably Numb Richard sang Roger's parts with David's sharing the vocal
stage. Again lasers came out and made a blue matrix up to the top ceiling
at the back of Massey Hall. Richard's stage persona was a happy playful
and highly charged one smiling waving about and moving to the music at times
truly a great musician and in great spirts truly a key member to the sum
of the parts. The closing out solo was exhilarating as always and a powefull
flood light from behind created a huge shadow of David onto front facing
audience similat to the wall concerts.
A full band bow at the end and a few waves and it was all over and back
to the hotel which was directly across from Massey Hall.
Overall 5 stars *****

Ticket thanks to Andy
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Above pictures thanks
to Dave Roberts. They were taken at both shows from this venue (9
& 10 April)
Click any picture to enlarge. |
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