Review

They had been almost three hours of show, very good, to soon go saying. " Obliged for they capsize is night. It was a pleasure to hear the songs", said Waters in the second half of the presentation - that it had until interval of 20 minutes. The quarrel " Floyd Gilmour " versus " Floyd Waters " did not arrive to turn controversy in the wheels colloquies fans. For them, Pink Floyd was here.

E was same, catching a pitch of a supposed " band to cover " of the English group. The alleviated touch of Fender Stratocaster of David Gilmour was not there, but the guitars of Snowy White and Chester Kamen had not destroyed, for example, Comfortably Numb, quite to the contrary, therefore they embelezaram the end of the show  

But before arriving at the end of the show, we go to the way of the night. The high point of the show can be argued to the exhaustion for the fans, but Welcome you the Machine with certainty was one of them. The strong execution of the music of the disk of 1975 Wish You Were Here still was potencializada by the modern effect all-surround, ear for the first time in a Brazilian estádio. Said " surround " are 108 placed boxes strategically forming a circle (in the case of the Pacaembu). With this, the serious sound of a helicopter taking a walk around of the estádio or gulls falling of the sky sounds impressively hipnóticos. The people arrived to look at for the opposing side of the estádio when sounds were directed for the boxes of the deep one.  

The cenografia, already sufficiently commented in Brazilian and Latin the others shows (Waters passed for Chile and Argentina before coming to here), simplória if is compared with one turnê as Pulse, of 1994, of the Pink Floyd de Gilmour. The videos are less dynamic and more " cloth of deep ", but they give to one charme with good taste to the thing all. Valley to remember that great part of the allure of the band is its neo-gradual musical metaphors transformed into animals, films and photos. The projections in the main telão, that measures 23 for 11 meters, are part of the production of Waters and use a projector Boat, considered one of the best ones of the world.  

The music? The fans had not complained, and the ones that were not so fans thus also not. Musics of the Pink Floyd are as musical speeches, shouts with the romantismo of years 70. The public saw this in Another Brick in the Wall, Pt. 2, Mother and Dogs, part of the first sequence of the presentation. But he more still tanned in the second half with Breathe, Teams and Money. In the songs alone of Waters, reserved for the end, he did not have a brutal fall, as that musics of a band who did not have nothing to see with the Pink original Floyd.

Perhaps what it lacks the Perfect Sense, The Bravery of Being Out of Range and It's the Miracle is the detail of Waters to execute them In the Pink Floyd. Ah! A curiosity: at the moment where Waters sings " the Brazilian grew tree " of It's the Miracle, the public not only repairs as he cries out Waters finished the São Paulo show with violão in fist and Flickering Flame- while taxis waiting it side of is, in the tumult of the young multitude leaving the Pacaembu, asked " Of who is the game " Of an English who came to beat a small ball with fans of long date. Ricardo Ivanov / Writing Land Pictures by EDISON VAZ MELONIO

There are a stack of absolutely magnificent pictures from this show to be had HERE (Opens in new window)