If you come across any material relating to the 2002 tour, please send it to me for publication. Naturally, you will be given full acknowledgment. I need photos from each gig, set lists, reviews, ticket stubs, MP3's and anything else you can think of! Please send all material to col@pinkfloydz.com

First of all, because when I was born, my home was full of teenagers, so that music's been like the soundtrack of my life. Even though the very first CD I bought was "A momentary lapse of reason", I grew up listening to Wish You Were Here and The Wall...all the time. So I took my younger uncle (who's like 15 years older than me) to the concert, as a payment for my "education"...I felt gulty because I went to both PULSE shows six years ago on my own...

Then I realized I wasn't the only one that had done that...to tell you the truth, I was glad to see a stadium of 40,000 people capacity completly full. A month before, one of those 5 really cute boys "I know how to dance but that's it" band had sold out that same scenario, so it's nice to see that there's still people with some good taste...and high education.

There were people of all ages...but all of them from a medium-high class...which confirmed my theory that "this isn't music for everyone" sad, but understandable...It's hard enough to understand someone bithcing about everything on a really ironic tone if you don't have the bases to do so on your own language...Imagine now on a language that you don't understand, foreing politics, and foreing feelings...It took me years to understand who WHITE HOUSE was, you know "pigs"... There weren't angry teenagers either...so it was a really cool environment.

About this guy...he was impresed with the audience. When he played "another brick in the wall" everybody was singing, that's not new...but he was shocked (you should've seen the look in his face) when he started to play material from amused to death, and EVERYBODY was singing along...he even stoped singing for a few seconds during "the brabery of being out of range" to listen to the audience...at the end, he thanked us for doing that...maybe you don't know this, but he didn't want to come to Mexico in the first place because he thought we weren't such a good market...there's the rumor, that mexican audience is the most dificult of all (from Latinamerica of course)...and sometimes, really bad things happen, because as a culture, we all are nuts.For example, U2 anounced not so long ago that they won't EVER come back here, one of their bodyguards, got into a fight with the bodyguards of the last president's son, and now he's on a wheel chair...FOR LIFE. So this guy, wasn't married to the idea of coming down here. But at the end, everything turned out to be more than ok.

Then, a weird thing happened...as a part of the show, they're playing with a huge screen on the back of the stage, and all the time, they're playing images on it, depending on the part of the performance, for example, during "In the flesh" the cartoon of the hammers, the final cut...a lot of war scenes, and so on....from the dark side of the moon to the end...things got really emotional...they started whit "breath" and some pictures from the moon (WONDERFUL IMAGES) but..during "Time" they started to show the satelite pictures from NEW YORK ON SEPTEMBER 11TH!!! I was shocked!!! I didn't, not for a single second, thought tihs guy would do anything like that...but right next came "MONEY", and the images were starving arabians, and old pictures of native americans....then I understood.

But the better part...PERFECT SENSE....it was a sequence of a nuclear bomb...from the carrier, to the city...and it ends up with the explosion, the last scene, the sky full of stars... it made me cry. Thanks to Paola Núñez

It was not the delicate sound of the steel, but the acute concept of the mental walls. So the beginning went, to 20:30 hours, of the dramatic concert of the English Roger Waters. At heart the humanized hammers disclosed by David Gilmore moved the 40 thousand assistants. An increasing emotion surrounded by the powerful and delicate cuadrafónico sound was expressed in a monumental choir. They will be 25 songs altogether, all those that per years waited for the followers of Pink Floyd, represented with dignity by Waters, teacher of the low one, who made mancuerna historical with Syd Barret. Many comment the delicate concert of Eric Clapton, but they indicate that this one, in its total conception, feels like more fort. To the closing of the editing still they lacked 15 songs. Arturo Cruz Barcenas

(CNI in Line) In the frame of its tour " In the flesh ", the ex- member and creative brain of the famous Pink group Floyd, the English musician Roger Waters offered during its presentation in the " Forum Sun ", a route by three decades of trajectory, with a spectacle that left much to be desired in the visual aspect, more not thus in the musical comedy.

The artist, with an falsified equipment of cuadrafónico sound, flooded the building with notes of his creation and music that could be listened to in different points from the building. Nevertheless, the technology was not the same one as far as the visual production, since the musician resorted only to projections in three gigantic screens, where could be seen images in reference to the history of Pink Floyd that went from the covers of their discs created by Storm Thorgerson, until animated images of the film " The wall ".

More than 50 thousand people who went to the concert they could appreciate an amalgam of ages, the same, people of 35 to 40 years which they lived the golden time on Pink Floyd, as well as young that grew thus listening to discs of their parents, adding itself to the followers of the artist and their ex- companions.

Waters offered a concert that was full of intensity at any moment, reason why is difficult to indicate that she excelled more; nevertheless brick in the honored the great choir of the public with the song " Another wall (Part II) ", as well as its masters in the interpretation of the low one in the piece " Money ".

Presentation was of more than two hours, in that Waters were made accompany in this presentation by six musicians and three coristas, that gave form to 25 songs, between that included themselves: " Mother ", " Get your filthy hands off my desert ", " Shine on you crazy diamond ", " Every strangers eyes ", " sense Perfect ", " Brian damage ", " Eclipse ", " It´s to miracle ", " Pigs on the wind ", " Each small candle ", " Seth the for control the heart of the sun " and " What the god wants ".

The quality of the artist allowed the luxury him to listen to its background music, to play poker and to drink whiskey with its companions in total scene and after a hand of this game of chance returned to take low his and to continue with its show.